Tuesday, March 17, 2020
In A Midsummer NightÃ¢â¬â¢s Dream, Shakespeare portrays the difficulties of love and, in particular, the weakness and vulnerability of the female characters in their relationships. They have little influence in deciding who they will marry, and the marriages and relationships that they are involved in are strongly male-dominated. The power of men and weakness of women are seen through the characters of Hippolyta, Hermia, Titania, and Helena, and the relationships that they are in. The first female character that Shakespeare portrays as weak is Hippolyta. Hippolyta is married to Thesus, who Ã¢â¬Å"wooed [her] with [his] sword, / And won [her] love doing [her] injuriesÃ¢â¬ (Act I, Scene I, lines 16-17). She is not married to Thesus out of love, but instead seems to be his possession. She has lost much of her fighting spirit since the commencement of her relationship with Thesus, and he often ignores her opinions. For example, at the end of the play, when Thesus is choosing which play is to be performed at their wedding ceremony, Hippolyta states that perhaps he has not made the best choice. When Thesus ignores this statement, Hippolyta does not protest again. It is obvious that their relationship is very male-dominated, and Hippolyta has become a very weak character as a result of her relationship with Thesus. Another male-dominated relationship is that between Hermia and Lysander. The two seem to be a happy couple and have a strong, loving relationship. However, HermiaÃ¢â¬â¢s desire to be with Lysander strongly goes against her fatherÃ¢â¬â¢s, EgeusÃ¢â¬â¢s, wishes. Egeus wishes for Hermia to marry Demetrius. Hermia has little effect on trying to influence her father to allow her to be with Lysander. Egeus expresses that Hermia has no choice in this matter; he is her property, and the laws declare that he can do as he wishes with her. Egeus claims that if Hermia does not adhere to his wishes, she will be sentenced to death. The dominant male figures in... Free Essays on Female Weakness In A Midsummer NightÃ¢â¬â¢s Dream Free Essays on Female Weakness In A Midsummer NightÃ¢â¬â¢s Dream In A Midsummer NightÃ¢â¬â¢s Dream, Shakespeare portrays the difficulties of love and, in particular, the weakness and vulnerability of the female characters in their relationships. They have little influence in deciding who they will marry, and the marriages and relationships that they are involved in are strongly male-dominated. The power of men and weakness of women are seen through the characters of Hippolyta, Hermia, Titania, and Helena, and the relationships that they are in. The first female character that Shakespeare portrays as weak is Hippolyta. Hippolyta is married to Thesus, who Ã¢â¬Å"wooed [her] with [his] sword, / And won [her] love doing [her] injuriesÃ¢â¬ (Act I, Scene I, lines 16-17). She is not married to Thesus out of love, but instead seems to be his possession. She has lost much of her fighting spirit since the commencement of her relationship with Thesus, and he often ignores her opinions. For example, at the end of the play, when Thesus is choosing which play is to be performed at their wedding ceremony, Hippolyta states that perhaps he has not made the best choice. When Thesus ignores this statement, Hippolyta does not protest again. It is obvious that their relationship is very male-dominated, and Hippolyta has become a very weak character as a result of her relationship with Thesus. Another male-dominated relationship is that between Hermia and Lysander. The two seem to be a happy couple and have a strong, loving relationship. However, HermiaÃ¢â¬â¢s desire to be with Lysander strongly goes against her fatherÃ¢â¬â¢s, EgeusÃ¢â¬â¢s, wishes. Egeus wishes for Hermia to marry Demetrius. Hermia has little effect on trying to influence her father to allow her to be with Lysander. Egeus expresses that Hermia has no choice in this matter; he is her property, and the laws declare that he can do as he wishes with her. Egeus claims that if Hermia does not adhere to his wishes, she will be sentenced to death. The dominant male figures in...
Sunday, March 1, 2020
T Unit Measurement in Linguistics A T-Unit is a measurement inÃ linguistics, and refers to a main clause plus any subordinate clauses that may be attached to it. As defined by Kellogg W. Hunt (1964), the T-unit, or minimal terminable unit of language, was intended to measure the smallest word group that could be considered a grammatical sentence, regardless of how it was punctuated. Research suggests that the length of a T-unit may be used as an index of syntactic complexity. In the 1970s, the T-unit became an important unit of measurement in sentence-combining research. T Unit Analysis T-unit analysis, developed by Hunt (1964) has been used extensively to measure the overall syntactic complexity of both speech and writing samples (Gaies, 1980). The T-unit is defined as consisting of a main clause plus all subordinate clauses and nonclausal structures that are attached to or embedded in it (Hunt, 1964). Hunt claims that the length of a T-unit is parallel to the cognitive development of a child and thus the T-unit analysis provides an intuitively satisfying and stable index of language development. The T-units popularity is due to the fact that it is a global measure of linguistic development external to any particular set of data and allows for meaningful comparison between first and second language acquisition. . . .T-unit analysis has been successfully used by Larsen-Freeman Strom (1977) and Perkins (1980) as an objective measure to evaluate the quality of ESL student writing. T-unit measures used in this study include words per composition, sentences per composi tion, T-units per composition, error-free T-units per composition, words in error-free T-units per composition, T-unit length, and ratio of errors versus T-units per composition. (Anam Govardhan, Indian Versus American Students Writing in English. Dialects, Englishes, Creoles, and Education, ed. by Shondel J. Nero. Lawrence Erlbaum, 2006) By analogy with the way modifiers work in sentences, [Francis] Christensen thinks of subordinate T-units as modifying the more general T-unit that semantically encompasses them. The point can be illustrated by the following sentence of William Faulkners: Joads lips stretched tight over his long teeth a moment, and he licked his lips, like a dog, two licks, one in each direction from the middle. Like a dog modifies licked his lips, a relatively general description which could encompass various other types of lip-licking. Similarly, two licks starts to explain how a dog licks its lips, hence is more specific than like a dog. And one in each direction from the middle explains two licks even more specifically. (Richard M. Coe, Toward a Grammar of Passages. Southern Illinois Univ. Press, 1988) T-Units and Ordered Development Since young children tend to connect short main clauses with and, they tend to use relatively few words/T-unit. But as they mature, they begin to use a range of appositives, prepositional phrases, and dependent clauses that increase the number of words/T-unit. In subsequent work, Hunt (1977) demonstrated that there is a developmental order in which students develop the capacity to perform types of embedding. Other researchers (e.g. ODonnell, Griffin Norris, 1967) used Hunts unit of measurement to conclusively show that the words/T-unit ratio went up in both oral and written discourse as writers matured. (Thomas Newkirk, The Learner Develops: The High School Years. Handbook of Research on Teaching the English Language Arts, 2nd ed., ed. by James Flood et al. Lawrence Erlbaum, 2003)
Friday, February 14, 2020
Independent Study Jordanian Television - Research Paper Example is prohibited, as well as anything deemed to harm Ã¢â¬Å"the stateÃ¢â¬â¢s reputation and dignityÃ¢â¬ (Library of Congress Ã¢â¬â Federal Research Division, 2006, 20). Fines, prosecutions, and also prison terms are often awarded, to keep the mass media under control. Informants and spies keep the government abreast of the nature of publications (on articles that are yet to be published, and on those that are already in circulation) and often the government applies regulations even before the article can be made public. The government sponsored media (in case of print media) is highly promoted, and television and radio face even more stringent regulations than the newspaper media; though the Internet functions somewhat more independently than all the others. In my article I will give an overview of the media in regards to the entire Middle East region, especially in Jordan; while focusing primarily on the television media in Jordan. My article will explore in detail the nature o f the television media that is functional in Jordan, in todayÃ¢â¬â¢s context. Overview of the media in the Middle East: the Middle East regions have recently witnessed the free to air satellite TV launch, which is the latest addition in the still evolving media that we see there. Prior to the satellite TV era, it was mostly state owned newspapers, and other broadcasting services like radio and TV (terrestrial) that was used to broadcast news and programs.Ã¢â¬Å"Thus, Arab governments exercised a media monopoly and controlled the political narrative in the MENA region until the end of the 80s by shaping and influencing the opinions of the local population. More recently, technological innovations and the politics of marketing and advertising have resulted in a long-awaited democratization of the Arab media, opening new venues in the international market to the Arab pressÃ¢â¬ (Kalliny, Arab Media: A Survey of an Imperfect Medium, 2010). The democratization of the Arab media has been a long drawn process, and
Saturday, February 1, 2020
Discuss the factory in connection with spaces and subjects of modernity - Essay Example g the prices down to the point where the cottage industries could no longer afford to stay in business and individuals were forced to come into the cities to find work Ã¢â¬â namely, at the factories. The factories, in order to keep track of their employees to pay them appropriately, artificially divided the day into shifts, including the day shift, night shift and graveyard shift. Through the use of this convention, factory workers began identifying themselves as a part of a crowd rather than an individual being. In addition, they no longer had the power to order their day according to their individual biorhythmic schedules as they might have done in the small towns and farms, but were expected to conform to the rigorous routine espoused by the corporation. This objectification was further emphasized within the factory by the mechanistic work structures and the tendency to reward those individuals who Ã¢â¬Å"caught onÃ¢â¬ quickest to changes and adaptations. Georg Simmel (1903) wrote that this practice within the factory served to make each individual only a mere cog in the wheel, interchangeable at their work stations, yet indispensable in that perhaps only a few people knew how to operate that particular piece of machinery or that part of the production line. In this latter sense, each man was also dependent on the others to get their jobs completed. Within this mechanized world, money emerged as the common denominator of all values. The more you have, the more individuality you are afforded within this metropolitan system. This wasnÃ¢â¬â¢t a new concept, but was further emphasized within the factories with the designation of shirt colors, as in white collar worker for those individuals who were in the upper tiers of the workfloor and blue collar workers for those who were expected to get dirty in the performance of their work Ã¢â¬â in other words, the drones. Within this culture, the emphasis is placed on the objective worldview, in which everyone fits within a
Friday, January 24, 2020
Self-Promotion and Celebrity Endorsements of Healthy Lifestyles In his book Celebrity and Power: Fame in Contemporary Culture, P. David Marshall states "The close scrutiny that is given to celebrities is to accentuate the possibility and potential for individuals to shape themselves unfettered by the constraints of a hierarchical society" (246). Therefore, celebrities are seen as role models for a lifestyle that might never be fully attainable by the average person, but can be imitated. What is ironic then is that following a celebrity-endorsed lifestyle does not create individuality, but reduces it. While celebrities endorse products, they also appear in advertisements which promote a healthy lifestyle where through the abstinence from vices such as smoking and drinking, to the consumption of healthy products such as milk, or the changing of habits to create a more environmentally friendly world. While these advertisements may have noble intentions an examination of the linguistic messages, iconic messages, and the target audiences, shows that t he celebrities who appear in advertisements promoting healthy lifestyle choices are also promoting their own creative projects at the same time. An interesting example of how celebrities promote themselves while promoting a healthy lifestyle is seen in an advertisement sponsored by Budweiser beer and featuring the band *NSYNC. Appearing in the May 14, 2001 issue of People Magazine, the ad encourages parents to talk to their children about underage drinking. If parents visit the website and read about the program, they can enter to win a family trip to Washington D.C. to see the group in concert. The linguistic messages work to not only promote the cause, but the band and the beer.... ...sement does achieve some level of cross promotion because of the audience it is reaching. In conclusion it is evident that whether explicit or less obvious, there is always some element of cross-promotion in advertisements featuring celebrities. Although the celebrities may genuinely care about the causes which they are promoting it is obvious that their very presence in the advertisement draws attention to themselves and allows the reader to make connections to any creative projects they are working on at the moment. The advertisements work in part because the celebrities featured are those in the public eye at the time of publishing and that they are easily recognizable. The linguistic message, the iconic messages (both coded and non-coded) work together along with a strategic targeting of similar audiences to promote more that one thing in the advertisement.
Thursday, January 16, 2020
The 1961 novel Revolutionary Road by author Richard Yates links strongly with the autobiographical recount Romulus, My Father, by Raimond Gaita, and in so doing provides a greater understanding of the concept of Belonging. It charts the disintegration of the marriage of Frank and April Wheeler as they struggle against the oppressive conformity of suburban 1950s America. The texts together explore the processes undergone by the individual in their integration to society and itÃ¢â¬â¢s inherent cultural groups.Revolutionary Road posits as itÃ¢â¬â¢s central idea that life is Ã¢â¬â entirely and inescapably, not only on the surface but right down to the core of human nature Ã¢â¬â an act. Every action of the characters in the novel, every single piece of behavior, thought, and reasoning are based on a structure of systematic etiquette. The central protagonist, Frank Wheeler phrases this concept perfectly in the way he describes the speech of his wife as having a Ã¢â¬Å"quality of play-acting, of slightly false intensity, a way of seeming to speak less to him and more to some romantic abstractionÃ¢â¬ .Though set in the cultural dead-end of the United States in the 1950s, a time when the American dream, entirely achieved, was beginning to ring hollow; it could easily be from any context that could be regarded as a Ã¢â¬ËsocietyÃ¢â¬â¢ Ã¢â¬â the text implying a sense of general universality of itÃ¢â¬â¢s central posit. The book shows that in any attempt for acceptance, true self expression will be limited Ã¢â¬â often severely so. Contrastingly, Romulus, My Father appears to espouse an entirely opposite premise: that an honestly of character equates to moral goodness, even in the face of great adversity, and will bring a sense of ful? led connection in life. As Gaita puts is Ã¢â¬Å"CharacterÃ¢â¬ ¦ was the central moral concept for my father and Hora. Ã¢â¬ Romulus retains his own identity, despite the barriers it creates in a society that seeks to assimilate; and it is this very attribute that allows him to belong to his family and those he loves. RomulusÃ¢â¬â¢s ideals are based entirely on his true feeling, not prescribed to a speci? c formula of action and reaction such as is the case in Revolutionary Road; his values are what make him. Upon further analysis, however, this is no less a conformity to protocol than that of Frank and April.Gaita states that Ã¢â¬Å"the sense given to me by my father and Hora, of the contrast between malleable laws and conventions made by human beings to reconcile and suit their many interests, and the uncompromising authority of morality, always the judge, never merely the servant of our interestsÃ¢â¬ , the perception of his son that certain rules are entirely unbreakable and inarguable is, in itself, a baseless social construct. No real contrast between human convention and morality actually exists. Ã¢â¬Å"Morality was for him as substantially a part of reality as the natural facts of huma n action and motivation. To belittle the feelings of Frank Wheeler as somehow less guiding than RomulusÃ¢â¬â¢s is also incorrect, both use feeling based reasoning to choose one of several possible options, open to them as a result of combination of circumstance and the system they take as inarguable, infallible law. Gaita attempts no higher argument for the inherent goodness of his father than his strict obedience and conformist attitude to a moral viewpoint, and makes no further argument for the de? nition of what good is beyond what one perceives to be good.Both are, at root, based on entirely nothing at all Ã¢â¬â to call one moral and the other etiquette is a farce, both are mere social construct, built by cultural conditioning, to establish and maintain a system of behavior deemed correct for no true reason. They only exist as objectively unchangeable so long as their creators and keepers believe them to be so. So, to avoid the true baselessness of their society and everyth ing the believe in, the protagonists of both texts resort to a method of delusion just as strong as that which they infer to abhor.In Revolutionary Road, Yates uses a technique of not matching the internal dialogue or self-perception of his characters to the events of the plot or speech. Frank Wheeler will often imagine conversations in his head, or prescribe to himself some false grandiosity in his lines Ã¢â¬â contrasted to a third person narrative voice, which reveals the scene to be usually uneventful and mediocre. April envisions herself Ã¢â¬Å"a whole world of marvelous golden people somewhereÃ¢â¬ ¦ ho made their lives work out the way they wanted without even trying, who never had to make the best of a bad job because it never occurred to them to do anything less then perfectly the ? rst time. Sort of heroic super-people, all of them beautiful and witty and calm and kind, and I always imagined that when I did ? nd them I'd suddenly know that I Belonged among them, that I w as one of them, that I'd been meant to be one of them all along, and everything in the meantime had been a mistake; and they'd know it too. I'd be like the ugly duckling among the swans. Ã¢â¬ The Wheelers believes in something greater, something more, and that they a worthy part of it; when in reality, such a thing is simply non-existent. All they truly have is the mediocrity of their suburban prison, and the paradox of a world which, with all options open, is so terrifyingly vast that they must cling to the safety and security afforded by familiar protocol. They hold ? rm the excuse that it is necessary and inevitable to ensure societal acceptance, and the vague general assumption that they are somehow different, somehow better or above their surroundings. They are not.All that separates them is their own idea of separation, they do not think themselves to belong, yet in reality ful? ll perfectly the 50s Ã¢â¬ËNuclear FamilyÃ¢â¬â¢ suburban stereotype. They are everything they claim to hate in a way so natural they probably couldnÃ¢â¬â¢t have achieved if theyÃ¢â¬â¢d tried. There is no Ã¢â¬ËbackupÃ¢â¬â¢ to their facade, no face behind the masks they craft, no true identity oppressed by circumstance. All that they have is, as Frank puts it, Ã¢â¬Å"the hopeless emptinessÃ¢â¬ . This is mirrored in Romulus, but in regards to RaimondÃ¢â¬â¢s perception of his father; he sees him not as he is, but as an archetype Ã¢â¬â some Ã¢â¬Å"romantic abstractionÃ¢â¬ .The novel is essentially a glori? cation. For Raimond, Romulus is a great man; someone special whose faults could either be excused to someone elseÃ¢â¬â¢s inadequacy, his madness, or an overextension of his stubborn moralism Ã¢â¬â him being too good. The events described clearly contradict this, however. Romulus was not remarkable nor extraordinary. He lacked ambition and intelligence (after not succeeding in gaining scholarship he never again pursued any attempts at education, despite the fact that he had suf? ient ability and opportunity Ã¢â¬â yet in referance to the event, Raimond makes the claim that Ã¢â¬Å"He cried bitterly, not because of lost employment prospects, but because his love of learning would never be ful? lled. Ã¢â¬ ). e wasted his skills in beautiful metalwork ( as the composer puts isÃ¢â¬Å"He was able to make almost anything to the most exacting standardsÃ¢â¬ , Ã¢â¬Å"his work was unsurpassed in quality and speedÃ¢â¬ , and My father was not merely skilled, he was aÃ man of practical geniusÃ¢â¬ ) upon the construction of what even his son admits is ugly furniture. e led a lifestyle that perpetuated the isolation that so caused him and those he loved to suffer. In his life he never did a single thing that could be regarded as brilliant that was not to the end of his or RaimondÃ¢â¬â¢s continued survival; and though for much of it he lived through great hardship, in the context of humanity it was not especially severe. The greatest in sight to this is found in the ? nal pages of the book, in the speech delivered at RomulusÃ¢â¬â¢s funeral, in which Raimond says (in regards to his father) that Ã¢â¬Å"he never intentionally caused suffering to anyoneÃ¢â¬ .It would take a man of enormous stupidity not to realize that to in? ict domestic violence unto his mentally ill wife and young child would cause them signi? cant pain. The composer attempts to portray his fatherÃ¢â¬â¢s wrongs as a product of circumstance, removed from choice or free will; but if such a stance is taken, there is no limit upon extending it to good deeds as well or, even to the very heart of a persona Ã¢â¬â no line can be drawn between what is merely conditioning and what is oneÃ¢â¬â¢s true nature.It is ironic that in attempting to portray a man who espoused no greater good than Ã¢â¬Å"real characterÃ¢â¬ , Gaita paints a nearly perfect archetype and ignores or downplays or re-interprets aspects just as real and signi? cant to who his fat her was as those which play to what he seems to want to see. Raimond in his perception of his father and the Wheelers in their perception of themselves seem to assume that, would it not have been for that which life had thrown at them, they could have been something much greater; something truer to themselves or more realizing of their own potential.In reality, they had the whole world at their hands, and as much time at their disposal as any who has lived. They were exactly as they were, and nothing more. It was not circumstance that prohibited the ful? llment of these charactersÃ¢â¬â¢ potential Ã¢â¬â this was but a convenient excuse Ã¢â¬â it was themselves; the sad fact was that neither the Wheelers nor Romulus were actually so brilliant at all.Ergo, from a collective analysis of both texts, it can be concluded that, in the processes undergone by the individual in their integration to society and itÃ¢â¬â¢s inherent cultural groups, the conformity to an idealized human ar chetype, though necessary to belong, will inevitably deny individualistic actualization of the true human condition. Through the ideas explored in Revolutionary Road text, strong links can be made with Raimond GaitaÃ¢â¬â¢s Romulus, My Father, to provide a signi? cantly furthered understanding of the concept of Belonging.
Wednesday, January 8, 2020
Analysis of the Internship Project This evidence-based project focused on the creation of a rubric for simulation experiences in the baccalaureate program at WKU. First, to become familiar with the different uses of simulation and its evaluation within the nursing realm, completion of a comprehensive review of the literature occurred. Hence, the search included the use of Google Scholar, PubMed, and EBSCOhost databases to aid with the search of pertinent literature. Identifying keywords selected for the search were nursing simulation, nursing simulation evaluation, and nursing simulation rubrics. Published articles chosen for review fell between 2010 and 2015. Secondly, a review of the curriculum learning objectives as outlined in the syllabus for the Senior Practicum course established specific course needs for the rubric. 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